The Computer Science Colloquium
 

Thursday, October 16, 4:15pm, room 9204/9205


David G. Stork
(Ricoh Innovations and Stanford University)

"When computers look at art: Image analysis in humanistic studies of the visual arts"

    New computer methods have been used to shed light on a number of recent controversies in the study of art. For example, computer fractal analysis has been used in authentication studies of paintings attributed to Jackson Pollock recently discovered by Alex Matter. Computer wavelet analysis has been used for attribution of the contributors in Perugino's Holy Family. An international group of computer and image scientists is studying the brushstrokes in paintings by van Gogh for detecting forgeries. Sophisticated computer analysis of perspective, shading, color and form has shed light on David Hockney's bold claim that as early as 1420, Renaissance artists employed optical devices such as concave mirrors to project images onto their canvases.

How do these computer methods work? What can computers reveal about images that even the best-trained connoisseurs, art historians and artist cannot? How much more powerful and revealing will these methods become? In short, how is computer image analysis changing our understanding of art?

www.diatrope.com/stork/FAQs.html

The Colloquium is supported by generous contributions from the Bloomberg, Information Builders, Inc., and Netlogic, Inc.

       


365 Fifth Ave, New York City 10016 | Room 4319 | Phone: 212.817.8190 | Fax: 212.817.1510 | compsci@gc.cuny.edu